Evans, Jennifer Farrell, Mia Fineman, Alice Cooney Frelinghuysen, Amanda Garfinkel, Sarah B. Carpenter, Elizabeth Cleland, Jayson Kerr Dobney, James A. Bell, Deniz Beyazit, Monika Bincsik, Yaëlle Biro, Barbara D. See moreĪinsworth, Maryan W., Denise Allen, Stijn Alsteens, Ian Alteveer, Joan Aruz, Peter Barnet, Andrea J. New York: The Metropolitan Museum of Art, 2022. Recent Acquisitions: A Selection, 2020–2022, v.80, no. Rosenheim, Joseph Scheier-Dolberg, Aude Semat, Femke Speelberg, Perrin Stein, Isabel Stünkel, Zhixin Jason Sun, Pierre Terjanian, Abraham Thomas, Thayer Tolles, Stephan Wolohojian. Pinson, David Pullins, Jessica Regan, Aaron Rio, Imani Roach, Jeff L.
Orenstein, Diana Craig Patch, Amelia Peck, Jenny Peruski, Joanne Pillsbury, Stephen C. Miller, Iris Moon, Laura Filloy Nadal, Patricia M. Hyun, Shanay Jhaveri, Ronda Kasl, Wolfram Koeppe, Elizabeth Mankin Kornhauser, Alisa LaGamma, Sarah Lepinski, Pengliang Lu, Virginia McBride, Constance McPhee, Asher E. Herdrich, Alison Hokanson, Melanie Holcomb, Mellissa J. Garfinkel, John Guy, Navina Haidar, Medill Higgins Harvey, Stephanie L. Evans, Jennifer Farrell, Mia Fineman, Alice Cooney Frelinghuysen, Amanda B. Carpenter, Stephanie D’Alessandro, Clare Davies, Jayson Kerr Dobney, Ashley Dunn, Adam Eaker, Maryam Ekhtiar, Helen C. Bambach, Kelly Baum, Alexis Belis, Monika Bincsik, John Byck, Iria Candela, John T. Achi, Denise Allen, Niv Allon, Ian Alteveer, Carmen C. Invaluable for scholars will be the new technical information, references to relevant Chinese archaeological journals, and an appendix giving selective archaeological and other documentary comparisons to objects in the Museum's collection that are illustrated in the book.Ĭontributions by Andrea M.
This edition uses the Pinyin system of Chinese romanization there is an appendix giving Pinyin/Wade-Giles equivalents, with the Chinese characters, as well as a chronology, maps, a glossary, selected readings, and an index. Almost half of the 335 objects illustrated are new to this edition a 32-page section of color plates adds immeasurably to the usefulness of the book. A wealth of new information has been reported and integrated into the book, which begins over one thousand years earlier than the first edition.
This edition, written in the light of such enhanced knowledge, presents a far more detailed and comprehensive picture than could have been possible only a few years ago. At the same time, analytic studies of Chinese ceramic technology have altered many basic concepts. Over the last decade, however, thanks to accelerated archaeological activity in The People's Republic of China and important archaeological discoveries made elsewhere, substantial changes have been made in Chinese ceramic chronology and attributions. Originally published by The Metropolitan Museum of Art in 1975 as an introduction to its vast collection of Chinese ceramics, the book was highly praised by experts in the field. This handsome book is at once a general survey of Chinese ceramics from the early Neolithic period to the present day and an essential reference volume for art historians and connoisseurs.
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